The King of Waltz and the woman who crowned him: Inside the 50-year romance of André Rieu and his soulmate Marjorie
He is the undisputed King of Waltz, a maestro who commands stadiums from São Paulo to Sydney, making millions weep with the sweep of his bow. He lives in a 15th-century castle in Maastricht, travels with a private orchestra, and has sold more records than Beyoncé.
Yet, when the stage lights dim and the applause fades, André Rieu, 76, is simply a man rushing to FaceTime the one person who made it all possible.
Her name is Marjorie. And without her, the world would never have heard the music of André Rieu.
In an age of fleeting celebrity marriages and showbiz divorces, the Dutch violinist’s love story stands as a beacon of old-fashioned devotion. It is a tale that spans over half a century, surviving poverty, fame, and the grueling demands of global touring.
Now, as they approach their golden years together, Rieu has opened up about the woman behind the curtain—and the simple, yet profound secrets that have kept their flame burning for five decades.
A Destiny Forged in Childhood
It is the kind of romance usually reserved for the operatic stage. The couple’s paths first crossed when Rieu was just a boy of 11. Even then, amidst the innocence of childhood, he recalls a distinct feeling—a premonition, perhaps—that he had found “the one.”
However, life took them on separate paths, only to reunite them years later. By then, Rieu was a music student—talented, passionate, but famously penniless.
Marjorie, on the other hand, was pragmatic and sharp. Recalling their reunion, she described the young André as “the romantic model of a poor but intelligent and lovely student.”
It wasn’t his wealth that attracted her; it was his soul.
They married in 1975, a time of flares and disco, but their hearts were set on the timeless elegance of the waltz. Yet, passion alone does not pay the bills. In a move that displayed immense faith, Marjorie, a gifted linguist and teacher of German and Italian, became the breadwinner.
For years, she worked tirelessly, her teacher’s salary supporting the family and funding André’s nascent dreams. She refused to let him take a “stable” job that would stifle his talent. She bet everything on him.
“We were born for each other,” André often says, his voice softening when he speaks of her. “Marjorie is the person who helped me become the King of Waltz.”
The Hidden Genius Behind the Hits
While André basks in the limelight, clad in his signature tails and conducting his Johann Strauss Orchestra, Marjorie remains resolutely in the shadows. This is by design.
She is rarely seen on red carpets. She does not give splashy magazine interviews. She has no desire to be a “celebrity wife.”
In a rare comment to The New Post, cited by Rieu’s dedicated fan blog Harmony Parlour, Marjorie explained her philosophy simply: “We love each other and share a passion for music. What more could I want?”
But do not mistake her silence for passivity. Marjorie is the engine room of the Rieu empire.
Far from just keeping the home fires burning, she is deeply involved in the creative process. It was Marjorie who penned the poignant lyrics to tracks like Lost Heroes and Please Don’t Go.
It was Marjorie who took a piece of music by Shostakovich—originally known as the ‘Jazz Suite No. 2’—and gave it the title that would make it a global sensation: The Second Waltz.
She is his muse, his critic, and his creative partner. She shapes the shows that millions pay to see, yet she watches from the wings, content to let her husband take the bow. She once famously remarked that she never wanted to be defined merely as “the wife of André Rieu,” preferring to maintain her own identity and privacy.
The Secret to a 50-Year Happiness
So, how do they do it? How does a marriage survive when the husband is an international superstar adored by millions of women, constantly traversing the globe?
According to Rieu, it isn’t about grand gestures or diamonds. It comes down to something much rarer: “100% mutual trust.”
Speaking candidly about their relationship, the 76-year-old virtuoso revealed that possessiveness has no place in their castle.
“When you know and realize that you can trust your partner, then you can be confident that everything is fine,” he explains. “We have also worked together for more than 40 years and we love the same things.”
He adds a vital ingredient that many couples overlook: “We share the same sense of humor and give our partner all the freedom they want.”
It is a refreshing perspective. In Rieu’s world, love is not a cage; it is a foundation.
“Most people often forget this, but enjoying life and laughing is very important,” he says with a twinkle in his eye. “In the Netherlands, we have a saying: ‘A day without laughter is a day wasted.’ I completely agree!”
The Castle and the Clan
Today, the struggling student and the schoolteacher live a life that resembles a fairytale. Their home is a literal castle in Maastricht, the Netherlands, where D’Artagnan (of Three Musketeers fame) is said to have had his last breakfast.
They share this dynasty with their two sons, Marc and Pierre. The family business is truly a family affair, with Pierre working alongside his father in production, ensuring the legacy continues. They are also doting grandparents to five grandchildren, filling the ancient halls with the noise of a new generation.
But even a castle can feel empty when the King is away.
Rieu’s schedule is punishing. He tours with the energy of a man half his age. Yet, he has mastered the art of “technological intimacy.”
When asked how he balances his grueling itinerary with his devotion to Marjorie, he says: “Of course, whenever there is a chance, we talk and text via FaceTime or Skype.”
“It is a very good and fast way to keep in touch with loved ones at home, whom I affectionately call ‘my small family’—that is, my wife, my children, and my grandchildren.”
He distinguishes this from his “big family”—the orchestra members who travel with him. “We tour together so much throughout the year, so obviously we share a lot. Laughter, sad moments, homesickness, joy… everything!”
A Love That Endures
As André Rieu prepares for his next set of concerts, engaging with audiences who have followed him for decades, his heart remains firmly in Maastricht.
The music industry is fickle. Trends change. Stars fade. But the partnership between André and Marjorie Rieu remains as constant as the timing of a perfect waltz.
She saw the genius in the boy when the world saw only a poor student. She worked so he could play. And now, 50 years later, he plays for her.
It is a reminder to us all that behind every great man, there isn’t just a great woman—there is an equal partner, a best friend, and in this case, a shared laughter that has lasted a lifetime.
As Rieu puts it, they were simply “born for each other.” And looking at them, it is impossible to disagree.